Archive for the life in vegas Category

What a Guy!

One of the most important figures in 1940s Las Vegas gambling got his start on the right side of the law, crossed over to the wrong side, and then came back. Guy McAfee was a vice squad commander in the Los Angeles Police Department, who, it was discovered, had ownership interests in several illegal casinos. Resigning rather than facing corruption charges, he moved to Las Vegas, where he was involved with several legal casinos. He’s best known as the founder of the Golden Nugget.

There’s lots more about the early figures of Las Vegas gambling in Roll the Bones: The History of Gambling

Go here to read an excerpt from the book, or learn where to buy your copy.

A Place in the Sun

When it opened in 1952, the Sands casino was known as “A Place in the Sun,” and once it signed Frank Sinatra, Sammy Davis Jr., and Dean Martin as entertainers, it became the most popular casino on the Las Vegas Strip.

Today, the Sands name lives on in Las Vegas Sands, Inc., the company that owns the Venetian, Palazzo, and Sands Expo Center on the Strip as well as casinos in Pennsylvania, Macau, and Singapore.

As a result, the Sands name is found in the world’s top three gambling markets—a fitting tribute to the place where Vegas got much of its magic back in the 1950s and 1960s.

You can read more about the Sands and other Las Vegas hotels  in Roll the Bones: The History of Gambling

Go here to read an excerpt from the book, or learn where to buy your copy.

Circus Circus Success

In the late 1980s, as other Las Vegas Strip casinos faltered, Circus Circus was prospering. Building its business on the “grind,” thousands of small players instead of a few big high rollers, Circus boasted a compound annual growth rate of more than 29 percent for the latter half of the decade. In doing so, it laid the groundwork for the 1990s Las Vegas casino boom.

You can read more about Circus Circus and other Las Vegas casinos in Roll the Bones: The History of Gambling

Go here to read an excerpt from the book, or learn where to buy your copy.

Three excerpts from Roll the Bones


Today I’ve added three excerpts from Roll the Bones to the site to give you a little flavor of the book if you haven’t picked up a copy already. Enjoy!

1. Author’s Note/Prologue

This is the introductory overview to the book, giving an idea of its scope—and the changes in the Casino Edition.

2. Why the Mob won Vegas

This excerpt, from chapter 10, “A Place in the Sun,” explains how the Mob carved out influence on the Las Vegas Strip in the 1950s and 1960s, and why it was so dominant.


3. The Rise of Atlantic City

The opening pages of chapter 12, “America’s Playground…Again” discuss the rebirth and rise to (brief) dominance of Atlantic City’s casinos in the late 1970s and early 1980s.

To learn where you can buy Roll the Bones: The History of Gambling, please visit here

Signs of the (Disappearing) Times in Vegas Seven

In this week’s Vegas Seven, I have a Latest Thought about a Downtown preservation effort that, I think, says a lot about what the city is becoming:

Which is why it’s interesting to see what new arrivals to Las Vegas notice the most. Slots in convenience stores? Franchise pawnshops? Tap water that’s somewhere north of 11 on the Mohs’ scale?

For Bryan McCormick and Mark Johnson, something different stood out: the hand-painted signs found on many downtown businesses.

Those signs—created by prolific but mostly anonymous painters strictly as works for hire—have a certain homey charm. Sometimes mid-century modern, sometimes Western colloquial, they are authentically Vegas. And, McCormick and Johnson discovered after seeing a few signs whitewashed over, they were in danger of disappearing.

via Signs of the (Disappearing) Times | Vegas Seven.

What I find interesting is the contrast between this effort and a project I was involved with ten years ago, the Neon Survey. Funded by Nevada Humanities and carried out in partnership with the Neon Museum, this project was, as I look back on it, very traditional: we reached out to a funding body, but together a proposal, and carried the project out with minimal community involvement.  By contrast, Vegas Vernacular is crowd-sourced, open source, and is drawing on the community in a totally different way.

The Experience of Fremont in Vegas Seven

In this week’s Green Felt Journal, I take a look at the origin of the Fremont Street Experience:

Fremont Street and the downtown casinos might be on the verge of a renaissance. Several casinos have reinvented themselves with renovations and expansions that try to blend nostalgia, modern comforts and value. But this isn’t the first time downtown has reinvented itself. In the 1950s, it tried emulating the Strip by replacing its rough-hewn gambling halls with hotel-casinos. More recently, in 1995, the Fremont Street Experience transformed downtown; in many ways, the casino district is only now growing into that change

via The Experience of Fremont | Vegas Seven.

I got the idea for this column while interviewing Mark Brandenburg, who was the junior partner at the Downtown roundtable I describe. You can listen to the original UNLV Gaming Podcast here.

Run the Strip with me

If you’ve been thinking about running in the Zappo’s.com Rock and Roll Las Vegas Marathon and Half-Marathon on December 4 but haven’t been sure, this might tip the scales. You can–guaranteed–run the half marathon with me.

I’ll be leading the 1:52 half-marathon pace group, so if you don’t mind a somewhat leisurely pace, I’d love to see you on race night. Yes, race night. This year they’re running the race at night (well, early evening). The marathon kicks off at 4:00 and the half-marathon gets going at 5:30. That means that, if you’re running with me, you should be back at Mandalay Bay by 7:30.

If the prospect of spending nearly two hours of your weekend running up and down the Strip with me holding a pace sign isn’t inducement enough, I can offer you the “don’t” as well. If you want to run the race but absolutely don’t want to run into me, if you run it at any other time you’re just about guaranteed to have a completely Dr. Dave-free race. And if that’s not incentive enough, I don’t know what is.

I’m looking forward to the race being a little different this year–I’m not sure exactly how and when the parking is going to work (the official site says “coming soon!”), but I’m sure I’ll figure something out.

If you want to register or just check out the event, you can check the official race page.

Dreamer’s paradise reality check in the LVBP

My column in this week’s Las Vegas Business Press is out. It’s a meditation on what less ambitious Strip developments really mean for Las Vegas.

With just about everyone in the industry mistaking the 2005-2007 boom for a new normal, it made tons of sense to trade in your sun-faded casino for a newer, bigger one with higher revenue per available room.It seems incredible that the 2000s saw exactly as many big casino demolitions as the 1990s four in each decade, but the Strip’s upside seemed so limitless that the present seemed little more than a springboard to better times.

via Las Vegas Business Press :: David G. Schwartz : Dreamer’s paradise hit with dose of reality.

I think there’s a lot to this story. What does it mean when we stop shooting for the stars?

And that little factoid about casino demolitions surprised me. If you want to stretch it, you can say there were actually more in the 2000s. Here’s my complete list, though I kept a few out for each decade. The ones I counted are in bold”

1990s: Sands, Dunes, Hacienda, Landmark, Marina, Vegas World

2000s: Desert Inn, Stardust, New Frontier, Boardwalk, Bourbon Street, Castways/Showboat, Sahara (closed, destruction almost inevitable)

I might have forgotten one or two.

Linq’s stirring up the Strip in Vegas Seven

When I was at the Linq-announcing press conference, I had many questions about how building this project would impact the casinos it will linq together. So I asked them. The result is this week’s Green Felt Journal in Vegas Seven:

With all due respect to artists’ renderings, the recent unveiling of plans for Caesars Entertainment’s Linq have people wondering just what the east side of the Strip will look like when the project opens in June 2013. But behind the aesthetic curiosity is another, more immediate question: How will the massive construction project affect guests and employees? Most of the initial dislocations will be behind the scenes, says Rick Mazer, president of Harrah’s Las Vegas, Flamingo, Imperial Palace, Bill’s Gamblin’ Hall & Saloon and O’Sheas.

via Stirring up the Strip | Vegas Seven.

To me this is the interesting aspect of the story right now–how’s all of this construction going to work, and how will they keep negative externalities to a minimum? They seem to have a plan, and it will be interesting to see how well it goes.

I’m most curious about what’s going to happen on the Imperial Palace’s casino floor, and I’m looking forward to walking around it when it’s in the middle of being transformed, just to get that old>>>new under construction vibe.

Trekkie Nightlife in Vegas Seven

At long last, an article that I wrote during the recent Creation Entertainment Star Trek convention is out as this week’s Green Felt Journal in Vegas Seven:

The first thing you see walking into McFadden’s at the Rio is William Shatner in his full late-1960s Technicolor glory on one of the wide-screens that’s usually devoted to SportsCenter. Even with the sound off, you can tell in a second that this is the climax of “Balance of Terror,” when his Romulan nemesis tells him he has one last duty, and that in a different reality they might have been friends.

You know that everyone else here knows it, too. You’re in the right place.

via Nightlife on the Starship Enterprise | Vegas Seven.

This was a fun one to write, because I’m a Star Trek fan (this shouldn’t come as a surprise to anyone who follows me on Twitter). The convention itself was a real experience, one that I hope to write more about.

As far as this piece goes, it was not an easy one to write. I had spent about an hour at McFadden’s trying to think of how I was going to tie this all together. Luckily, I’d been watching “Balance of Terror” on Netflicks the week before, which just happened to be playing on the TVs when I came in.

But I didn’t know how I was going to pull it all together until I saw the woman–who at first looked like a respectable middle-aged HR manager or schoolteacher, showing off her tattoo. So that became the emotional center of the story. From there it became a matter of building up to it.

I’d already written one draft when I was sitting in the vendors’ room doing a rewrite. Now my problem was finishing the piece. I wanted to tie it back to what’s happening in Vegas now, and why it’s important to cater to groups like Trekkies. But I was coming off as too preachy.

Then I saw a guy wearing a green wraparound captain’s tunic, and couldn’t help but noticing his Galaxy-class paunch stretching the fabric to the limit. Which got me thinking about William Shatner, and his SNL skit back in the 1980s when he told fans to “get a life.”

Boom. Something clicked in my brain, and it all fell into place.

So that’s how the piece came together. I hope you like it.